Metals, Part One

Philosophers and scientists have tried for millennia to crack the code of alchemy: the art of turning lead into gold. But alchemy goes much deeper than that—it gives us a framework for turning metal into story. In the first of a two-part episode on the metals of alchemy, we explore iron, bronze, lead, and copper. Our stories go deep into the basement of The Met, and back in time to a waterlogged ancient tomb. You’ll hear about books that dazzle, puppets that weep, and the long lost sound of a 2000-year-old bell. Guests: Edward Hunter, armorer and conservator, Arms and Armor, The Metropolitan Museum of Art Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art Ali Olomi, professor of Middle East, Islamic, and Global Southern history, Penn State Abington Kannia Rifatulzia, translator, In-depth Creative Defri Simatupang, archaeologist, North Sumatera Archaeology Center, Indonesia Zhixin Jason Sun, Brooke Russell Astor Curator of Chinese Art, Asian Art, The Metropolitan Museum of Art Yana Van Dyke, conservator, Paper Conservation, The Metropolitan Museum of Art Objects featured in this episode: European armor (various) Zhong bells (various) Puppet Head (Si Gale-gale), late 19th–early 20th century. Indonesia, Sumatra. Toba Batak people. Wood, copper alloy, lead alloy, water buffalo horn, paint, H. (without pull rope) 13 1/4 in. x W. 6 in. x D. 6 1/2 in. (33.7 x 15.2 x 16.5 cm). The Metropolitan Museum of Art, New York, Gift of Fred and Rita Richman, 1987 (1987.453.6) Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30. Opaque watercolor, ink, silver, and gold on paper. The Metropolitan Museum of Art, New York, Gift of Arthur A. Houghton Jr., 1970 (1970.301.1–78) For a transcript of this episode and more information, visit metmuseum.org/immaterial #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong. Field production by Tanita Rahmani. Special thanks to Sheila Blair, Lauren Johnson, and G. Willow Wilson.